​This article is brought to you by the letter “M” for the metaverse. A place that doesn’t yet exist but is said to be the next big thing and it could upend the internet as we know it. 

Virtual reality is nothing new. Engineers and developers have been working on VR systems since the eighties, perhaps even further back. However, we're currently in a fantastic time when VR is available to the masses and becoming more affordable. Virtual reality is no longer science fiction, it's here, and it's slowly growing in popularity. ​

​Welcome to the 21st century. So, you finally decided to join the rest of humanity. Well, it is about time.
 
I would hear these standard replies while explaining to my friends that I finally gave in to the Apple ecosystem. You see, I have never owned an Apple device. I did have one of those little iPod shuffle clips given to me as a promotion gift many moons ago, but I never used it. Honestly, I have always survived in the Windows and Google ecosystems. These brands work for me, and I never needed to go with Apple until now.

​These days, I discover most new music on Spotify. When creating playlists, Spotify will make recommendations. I have to say they have an excellent algorithm for making those recommendations. I found a lot of great EDM sub-genres like Synthwave and Chillwave through this platform. Before that, I found new music through Sirius XM satellite radio along with different internet radio stations. My satellite usage was mainly for discovering Indie music. I was also a big fan of the Indie stations on Netscape, way back in the day. I have also relied on word-of-mouth and movie soundtracks.

I don't know who coined the expression, limitation breeds creativity, but it's a phrase that has always stuck with me any time I'm trying to be creative. It might have started with my high school hippy art teacher who always gave us one crayon or colored pencil and a single sheet of paper. Either she thought a still life drawing in only maroon was cool, or the school's art department had some serious financial issues. The only results I found about this phrase online that holds any merit is a quote from Orson Welles, that read "absence of limitations was the enemy of art." I believe this statement to be true. I'm most creative when I set boundaries that should be overcome uniquely.

​Slashing my way through the jungles of repetitiveness, wading waist-deep in the swamps of irregular rhythms, and trudging over the baron deserts of low dynamics, I finally reach my destination. Here lies the mighty pyramid of the elements of song arrangement structure. Its base is the solid foundation, followed by consistent chord progressions and rhythms, with interesting leads at its pinnacle.

​For the most part, copyright laws do a decent job of protecting artists. In his book All You Need to Know About the Music Business, Donald Passman said people wouldn’t create anything if everyone had the rights to it, and the creator wasn't compensated (Passman, 2019). We need copyright laws to protect artists. They should have the rights to their art (music). Anyone who wants to benefit from that art by reproducing, distributing copies, make a derivative work, display the work, or use it through digital transmission needs the copyright holder's permission (King, 2020). 

​This is preposterous, completely absurd, you can’t go DAWless on a budget! Hardware is too expensive and takes up too much room! Plus, why would you need to create a workflow without a computer? Who do you think you are? 

​Have you ever heard a snare drum played at full volume in a bathroom? Or an acoustic guitar played underwater? Or bagpipes played, anywhere? Then you know there is a time and place for when music makes sense. Musical instruments are built, selected, and played together, or individually, that best suits the environment. This listening environment dictates the chosen music and instruments based on the acoustics, physical size, and social situation.

​From a consumer standpoint, I prefer the interactive subscription model. I was introduced to the Spotify platform not too long ago. When I first heard about this program, I thought it was just another Pandora online radio system. However, once I started digging into the system, I realized just how powerful and easy it was to provide instant music on all my devices. I was blown away by the quality of the music and the catalog of songs. Every song, artist, and album I could think of was on my cell phone, tablet, laptop, and a lot of new material. I quickly saw the value and signed up for the subscription.

The subject of music file sharing is one that has reverberated throughout the music industry for over two decades. Ever since software developers engineered a way for people to share music over the internet, music artists and record executives expressed their displeasure. In Emily White's 2012 article "I Never Owned Any Music, to Begin With," the then young twenty-one-year-old woman bravely admits to partaking in the activity of file sharing. She is a child of the digital age and openly explains that she and her friends will not buy albums; they prefer to pay for convenience. A streaming service like Spotify is better suited to their lifestyle than buying music. Though she may have taken part in file-sharing activities and has this extensive catalog of music in her possession, she feels that the music is not hers. If she loses the music, she can find another way to obtain it. This non-ownership model is the future of music consumption.

​Today’s music consumption has changed significantly in just a few years. Streaming is now the dominant method of music consumption. The Recording Industry Association of America (RIAA) reported streaming in 2015 made up 34% of U.S. revenue. In 2019 that number climbed to an astonishing 80% of revenue, a 133% increase in just four years (Friedlander, 2019). What is more astounding is that digital downloading fell from 34% in 2015, to 9% in 2019, and physical retail dropped from 29% in 2015, to 9% in 2019. This extreme range is just another example of the fast pace of technology and trends. It can happen within only a few years.

​Practice makes perfect, and apparently, 10,000 hours is the magic number. That's how long it takes to be an expert in any given field. At least that's Malcolm Gladwell's claim in Outliers, a book about how there is more to people's success than meets the eye. It's not just talent that makes people successful; it is hard work and determination. Mr. Gladwell provided a few examples, including the Beatles long residency at a club in Hamburg, Germany, playing every night for over a year, along with the amount of time Bill Gates put into his programming skills growing up. The claim was that both were successful due to the long hours, not just raw talent.

It always feels good to finish a project. To have a concept in mind, research, strategize, outline, create a process to work through each part, and put it all together in a nice package. It’s truly gratifying. Now I’m doing this purely as a learning tool, but I do sense that I’m getting better. I’m growing in my musical knowledge, I’m able to work more efficiently, and I feel slightly more confident in my ability to complete a project. 

​We live in a glorious time. Never in the history of humanity have we been blessed with such an outrageous amount of entertainment choices. At this age, we have virtually limitless options for things to do in our spare time. From movies, TV shows, sporting events, books, music, videos, and the list keeps going on. One of my favorite entertainment media growing up and even to this day would be video games. It’s become one of the most complex and profitable forms of entertainment. I’m not sure if the video game industry has surpassed the film industry, but I’m sure it’s up there. 

​I find it satisfying to complete a project or at least the first part of a project. To have your vision come to fruition is a gratifying experience. In this project, I wanted to create an albums worth of songs, each one representing a Chakra. It was originally meant as an exercise in music creation but I soon realized the benefits of it as a tool to help individuals meditate for roughly 45-minutes.

As a musician and a marketing professional, I’m always looking for patterns in the music industry. The current shifts in the music people listen to along with how and where they listen fascinates me. One style that has been continually growing in popularity is electronic instrumental, especially EDM (electronic dance music) like Dubstep and Trance. These styles utilize heavy synths sounds combined with big, consistent, almost tribal beats and are very popular in live settings like clubs and festivals. People will congregate together dressed in bright fluorescent colors and dance to these beats. It’s nothing new, people have been doing this for many years, disco in the 70’s, pop synth in the 80’s, trip hop in the 90’s and so on. However, I’ve also discovered that there is a less aggressive style of electronica that is also just as popular, but it tends to fill a different roll.

One of the single most important aspects of my life is the ability to stay creative. It brings meaning to an otherwise dreary existence. No, I’m just kidding. I’m not a dark gothic teenager and life isn’t dreadful. However, it can become dull and mundane with the hustle and bustle of everyday activities.