It's hard to explain why music is so important to me, but the short answer is that it makes me feel good. Scientifically I read that music releases dopamine in the brain, which brings a positive feeling. So, I suppose music is like a drug that continually forces my brain to release good emotions, even if it's not always a cheerful piece of music.
If you've read the "about" section on this website, you may have seen that I like to figure out how things work. This need for learning is especially true with music. I want to learn how and why different styles of music are constructed, and I'm willing to try my hand at just about any genre to get a full understanding of how it works.
Below are my active projects.
If you've read the "about" section on this website, you may have seen that I like to figure out how things work. This need for learning is especially true with music. I want to learn how and why different styles of music are constructed, and I'm willing to try my hand at just about any genre to get a full understanding of how it works.
Below are my active projects.
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The list below are bands I've had the pleasure of working with as a drummer.
The Alloys – currently I'm involved in a fantastic band from Hull, MA known as the Alloys. It's an original project that fuses indie rock and soul with jazz and blues elements. Neo-noir is a constant theme we use, which is the sonic equivalent of the sinister and shadowy Hollywood genre from the '30s and '40s but with a new neon twist. The genre is difficult to nail down since it could be applied to any crime thriller. Still, neo-noir is considered more of a style or mood than a reincarnation of Hollywood classics.
The Dawghouse Allstars – since the creation of the Dawghouse, I've invited a group of seasoned players to join me for some blues-inspired classic rock. They are always a pleasure to hang with over a few sips of whiskey, and some roots-rock covers.
Capozzi Trio - sometimes it's liberating to have an improvisational jam. The Capozzi Trio consists of three guys getting together to shape a piece of music in real-time. Usually with no structure, no plans, no worries about whether it sounds good, just freedom to do whatever you want. It's an environment to try new music and push the boundaries.
The Wolfpack – I played in this cover band a few years back, but I stay connected. They are a great group of guys. A lot of fun to hang and jam. They'll do anything from Bruno Mars and Keisha to the Outfield and Kings of Leon to create a party atmosphere. We played a lot of three-hour shows. You need to catch their performance if you haven't already seen them. They usually play in and around the Boston area.
The Mike Travers Band – back when my children were younger, I played with MTB. We blended a mix of blues and rock style originals and covers from Jimi Hendrix and Neil Young. The band is still active, and I recommend checking them out.
Grooves – I miss Groofus. It was a genuine jam band with excellent funky originals and challenging covers. I learned a lot by playing catchup to these astounding musicians. We disbanded many moons ago, but I still think about the music we created. I stay connected with the members and follow their journeys through life. Perhaps one day we'll get together to relive those old jams.
Amber Spyglass – Many moons ago, I dragged a bass player friend to play in a short stint with a band from Somerville, MA. I would describe the music as dark atmosphere that meets emotional expression. It wasn't the type of music we wanted to continue making, but it was certainly an experience.
Woodgrain Platypus – Right out of high school, I played with some friends. The project was a mix of originals and covers that were folky and jam band-inspired since we listened to many bands like Phish, Max Creek, and Keller Williams. I can't remember many of my gigs over the years, but I'll never forget my first one with Woodgrain Platypus.
The Alloys – currently I'm involved in a fantastic band from Hull, MA known as the Alloys. It's an original project that fuses indie rock and soul with jazz and blues elements. Neo-noir is a constant theme we use, which is the sonic equivalent of the sinister and shadowy Hollywood genre from the '30s and '40s but with a new neon twist. The genre is difficult to nail down since it could be applied to any crime thriller. Still, neo-noir is considered more of a style or mood than a reincarnation of Hollywood classics.
The Dawghouse Allstars – since the creation of the Dawghouse, I've invited a group of seasoned players to join me for some blues-inspired classic rock. They are always a pleasure to hang with over a few sips of whiskey, and some roots-rock covers.
Capozzi Trio - sometimes it's liberating to have an improvisational jam. The Capozzi Trio consists of three guys getting together to shape a piece of music in real-time. Usually with no structure, no plans, no worries about whether it sounds good, just freedom to do whatever you want. It's an environment to try new music and push the boundaries.
The Wolfpack – I played in this cover band a few years back, but I stay connected. They are a great group of guys. A lot of fun to hang and jam. They'll do anything from Bruno Mars and Keisha to the Outfield and Kings of Leon to create a party atmosphere. We played a lot of three-hour shows. You need to catch their performance if you haven't already seen them. They usually play in and around the Boston area.
The Mike Travers Band – back when my children were younger, I played with MTB. We blended a mix of blues and rock style originals and covers from Jimi Hendrix and Neil Young. The band is still active, and I recommend checking them out.
Grooves – I miss Groofus. It was a genuine jam band with excellent funky originals and challenging covers. I learned a lot by playing catchup to these astounding musicians. We disbanded many moons ago, but I still think about the music we created. I stay connected with the members and follow their journeys through life. Perhaps one day we'll get together to relive those old jams.
Amber Spyglass – Many moons ago, I dragged a bass player friend to play in a short stint with a band from Somerville, MA. I would describe the music as dark atmosphere that meets emotional expression. It wasn't the type of music we wanted to continue making, but it was certainly an experience.
Woodgrain Platypus – Right out of high school, I played with some friends. The project was a mix of originals and covers that were folky and jam band-inspired since we listened to many bands like Phish, Max Creek, and Keller Williams. I can't remember many of my gigs over the years, but I'll never forget my first one with Woodgrain Platypus.